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After a little time she succeeds in partially lifting the cloud that has fallen on her brother. He has grown strangely fond of her, and finds comfort in her gentle eyes and sympathetic mouth. Like all the rest, he has gone down before Mona, and found a place for her in his heart. He is laughing at some merry absurdity of hers, and is feeling braver, more hopeful, when a little chill seems to pass over him, and, turning, he confronts a tall dark young man who has come leisurely—but with a purpose—to where he and Mona are standing.,

As Mona comes still nearer, the words of the speaker reach her, and sink into her brain. It is Lady Rodney who is holding forth, and what she says floats lightly to Mona's ears. She is still advancing, unmindful of anything but the fact that she cannot see Geoffrey again for more hours than she cares to count, when the following words become clear to her, and drive the color from her cheeks,—,

"I don't, but I know Lady Mary and Miss Blake always get their things from a woman called Manning.",

Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air.

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"Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown.,

"I don't think I am," says Mona; "but the thought of meeting people for the first time makes me feel nervous. Is your mother tall, Geoffrey?",

"I understand," says Lady Rodney, faintly, feeling her burden is "greater than she can bear." "She is, without telling, a young woman who laughs uproariously, at everything,—no matter what,—and takes good care her vulgarity shall be read by all who run.",

"Yes," she says, with cheeks colored to a rich carmine, and flashing eyes, and lips that quiver in spite of all her efforts at control, "that is the bit of heather you gave me, and that is the grass that tied it. I kept it because it reminded me of a day when I was happy. Now," bitterly, "I no longer care for it: for the future it can only bring back to me an hour when I was grieved and wounded."